AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED

I like having many focal lengths available in one lens instead of carrying multiple lenses. Also, I can use it on both a film and a digital camera body (it has the aperture ring), so it´s flexible.

Its construction is very sturdy as can be felt by its heft. It´s not light and flimsy like the regular consumer lenses, so I know that it can handle the rigors of heavy use.

And, since it is a fast lens at f/2.8 I can shoot in low light conditions. The focusing is very fast on a DSLR body, which is great!

I´ve been wanting to get this lens for a long time and finally was able to get it. I am one happy camper with this lens!

I have been shooting prestige interiors (Roomsets and SuperYatchs) for over 24 years and have always had Nikon in my bag. I consider one of the best lenses Nikon has ever produced is the 17-35 ƒ2.8. As a Pro Photographer, I have 3 Nikon D3´s one which is attached permanently to the 17-35 since new, its never been taken off ! The glass in the lens is nothing more than stunning. For people who understand optics the density of the glass is all important. This lens is heavy make not mistake about it (due to the 2x high density ED elements) and the chassis will last forever. My work has been used at the London Boat Show to poster size panels of over 10meters and the glass gives amazing edge-to-edge sharpness with rich true-tonal graduations. The lens designs gives very little barrel or pin-cushion effect. I think I will never change this piece of gear. Its the perfect choice for optimum quality and durability.

I shoot a lot of architectural subjects, and this lens has seen a lot of buildings. It stays in my kit today with my digital bodies. It has a fast constant aperture, zoom range from ultra-wide 17mm to moderate-wide 35mm, and has very low distortion. I used this lens extensively on my F5 film camera, and today use it on all my digital bodies, including the D3 and D3X. I think it holds up well with the transition to digital sensors. It also is a great choice for shooting events/weddings because of the fast aperture.

This is my ´´normal´´ lens. It works great with the FX series digital cameras and film too. It has an amazing definition and sharpness. This lens also has a low level of barrel distortion. I know a photographer who has a 14-24mm zoom and he told me that it is an excellent lens but has limited uses. The 17-35mm has more range.

A solid, dependable lens. Performs well at all focal lengths. Very close focusing. Moderately good bokeh at closest focus distance; gets better and smoother at further focus distance. A heavy beast, but weight has never really been an issue and it helps balance the camera.

Last year when I purchased a D-700, I needed to replace/upgrade from a couple of DX lenses. I chose the AF-S Zoom-NIKKOR 17-35mm f/2.8D IF-ED to be the first. I am absolutley impressed. A year has passed and the more I use this lens the more I smile as I generate images that were previously out of my reach.

While the quality of the lens manufacture is high I´ve have focus problems on both the F100 and the D7000 bodies. In both cases the camera will not fire because the autofocus did not find a focus point. The lens focus bounces back and forth without finding the sweet spot. This is not because of low light or lack of strong objects to select within the array of autofocus sensors. It always takes a touch of the manual focus ring for the lens to find the sweet spot. Any thoughts?

This is an exceptional lens. Clear, sharp with incredible detail from corner to corner and edge to edge. Great depth of field performance, well protected from the elements and excellent contrast from side to side. It is a little heavy but on a tripod there is no problem. Standard 77 mm filter size. I have been using the lens to stitch together large panorama. The lens performs exceptionally well.

I purchased this lens while waiting for the follow-on to the D700. I am using it a my old D50 in the mean time. The lens has a solid well built feeling. It´s weight is not a problem because the lens is very nicely balanced. Focusing is fast and quiet. The biggest surprised was with close-ups. I shot some amazing close-ups in my rose garden. At a birthday party the 17-35 mm range worked well in a crowded kitchen with a glaring back light enabling me to take excellent photos in tight spots. I compared the bokeh of the F2.8 v my Nikkor 50 mm F1.4 Prime. For portraits the F1.4 was the winner but for all-round photography in close quarters this lens is hard to beat. I will give it a real workout in April 2012 during a trip to a remote area in the Far East.